Asian Art Corner

ARTS JAPONICA

GLOBAL SAMURAI CONFERENCE. 4/10-11, HYBRID. Sponsors: British Museum and SOAS. Speakers: Filippo Cervelli (SOAS); Rosina Buckland (British Museum); Oleg Benesch (University of York); Joe Nickols (British Museum); Edward Boyle (Nichibunken); Rebekah Clements (Autonomous University of Barcelona and ICREA); Helen Macnaughtan (SOAS); Birgit Tremml-Werner (Stockholm University); Satona Suzuki (SOAS); Nam-lin Hur (University of British Columbia); Chika Tonooka (Cambridge University); Luke Gartlan (University of St Andrews); Sarah Thal (University of Wisconsin-Madison); Mark Ravina (University of Texas Austin); Sven Saaler (Sophia University); Michele Monserrati (Smith College); Maria Framke (University of Erfurt); Tatiana Linkhoeva (New York University); Ignacio López-Calvo (University of California Merced); Hiromu Nagahara (MIT); Natasha Bennett (Royal Armouries); Julie Reynolds and Emile de Bruijn (National Trust); Sarah Panzer (Missouri State University); Clemens Büttner (University of Heidelberg); Ethan Mark (Leiden University); Thomas D. Conlan and Christina Lee (Princeton University). This event is part of the public programme supporting the exhibition Samurai (open until 4 May). PURCHASE EXHIBITION CATALOG: https://amzn.to/4mqEJ1h

SAMURAI: THE MAKING OF A GLOBAL ICON. 4/23, 5:30–6:30pm (DST), 12:30-1:30pm (EDT), VIRTUAL. Sponsor: British Museum. Speakers: Satona Suzuki, Senior Lecturer in Japanese and Modern Japanese History at SOAS; Oleg Benesch, Professor and Head of the Department of History at the University of York and co-author of the exhibition book, Samurai; Matt Alt, co-founder AltJapan, a Tokyo-based company that specialises in localisation and author of Pure Invention: How Japan Made the Modern World (2021). This event is part of the public programme supporting the exhibition Samurai (open until 4 May).

BOOK TALK: SIMPLY DONABE! (JAPANESE CLAY POT COOKING). 4/ 19, Noon-2:00pm (EDT), IN PERSON ONLY. Sponsor: Kinokuniya New York. Speaker: author Ms. Naoko Takei Moore, owner of TOIRO, an online and brick-and-mortar shop in West Hollywood that specializes in Japanese kitchen goods. PURCHASE BOOK: https://amzn.to/4dPUYTd

TOIRO kitchen supply (donabe), https://toirokitchen.com/

BOOK TALK: IMPERIAL ANIMATIONS IN TRANSPACIFIC CONTEMPORARY ART. 5/4, 9:00-10:30pm (EDT), 9:00-10:30am (HKT), HYBRID. Sponsor: Centre for Cultural Studies, Chinese University of Hong Kong. Speaker: author Namiko Kunimoto, Director of the Center for Ethnic Studies, Associate Professor, Department of History of Art, Ohio State University; Moderator: Prof. SaeHim Park (CUHK). PURCHASE BOOK: https://amzn.to/4bImyzf

THESE EVENTS ARE PAST BUT MAY HAVE RECORDINGS

*EXHIBITING JAPAN IN MID-CENTURY NEW YORK. 3/30, 6:00-8:00pm (EDT), IN PERSON ONLY. Sponsor: Digital Museum of the History of Japanese in NY. Speaker: Dr. Angus Lockyer, author of Exhibitionist Japan: The Spectacle of Modern Development (Cambridge, 2025) and Japan: A History in Objects (Thames and Hudson, 2026). He currently teaches at the Rhode Island School of Design. 

*REMAKING THE ACADEMIC MUSEUM FOR THE 21ST CENTURY. 4/2, 8:00-9:15am (JST), 7:00-8:15pm (EDT), HYBRID. Sponsor: Asia Society. Speakers: James Steward, Director, Princeton University Art Museum; Kit Brooks, Curator of Asian Art, Princeton University Art Museum. 

*FROM KIRIN TO CASA BRUTUS: HISTORY OF JAPANESE DESIGN. 4/2, 6:30-8:00pm (JST), 5:30-7:00am (EST), HYBRID. Sponsor: Institute of Contemporary Asian Studies (ICAS), Temple University, Japan. Speakers: Ian Lynam | Associate Professor of Graphic Design, Temple University Japan; Moderator: Benoit Hardy-Chartrand | Senior Lecturer Temple University Japan & ICAS Faculty Fellow. 

What happens when Japan curates its aesthetic for the world?

By Erik Augustin Palm, Japan Times, Mar 28, 2026
     Scathing review of the Japanese government's exhibition of the Japan Sui Collection in Kyoto and Paris that is meant to showcase Japanese regional crafts and cuisine framed around the concept of sui (an Edo Period [1603-1867] concept of aesthetic refinement).

Official Japan's penchant for dealing with the West by leaning into Orientalism can be startling. It is so ingrained that Japanese embassies and consulates still display sensoga, the carely controlled statist art of 1930s wartime Japan. Japan has a vibrant modern art community. It is a shame that it is not promoted more.

Isamu Noguchi

In full swing

from the Monocole Minute on Design, March 18, 2025.

Isamu Noguchi is a household name thanks to his abstract totem-like sculptures, Vitra’s bestselling glass Coffee Table and the ubiquitous Akari paper lamps. Still, the Japanese-American designer maintained that his best projects never saw the light of day. He harboured ambitions to be an urban planner, particularly to make playgrounds, but city officials wouldn’t hear of it. Those torpedoed ideas, such as this swing set, are the subject of Noguchi’s New York, an exhibition at The Noguchi Museum in Queens, which runs until 13 September.

This three-piece swing was originally conceived in 1940 for a playground in Hawaii, which would also have included a curved slide and a jungle gym. That plan was derailed by the Japanese attack on Pearl Harbor a year later, with Noguchi spending seven months in an internment camp in Arizona. Later, he pitched the scheme in New York but was unsuccessful; a version of the design finally went up in Atlanta in 1975. With hindsight, everyone can agree that Noguchi should not have had to work so hard to bring play to public spaces.